What do we know about Luke Brindley? Superbly talented local musician? Yep. Owns Jammin' Java with his brothers? Indeed.
Key facts of course, but as one of the most highly publicized and recognizable local musicians in the metro area, I think we all could be a little more informed. I recently had the chance to sit down with Luke to chat about what he has been up to since we last spoke in 2008, in advance of his
Barns at Wolf Trap headlining gig this Thursday at 8pm w/special guest The Alternate Routes. Three hours of the best local music around, for a little over the price of a movie ticket. Come on people.
Check out the Q&A below.
Question: Since I last spoke to you in late 2008, can you speak to any major evolution in your music?
Yes a lot has happened! We’ve started a new record. I’ve been touring a lot more and expanding my base beyond just the east coast. I went to England earlier this year to play some shows and get a taste of the scene there (I had been hearing great things - and they’re true!) And you know, I’m always trying to grow as a writer. I’ve been writing a lot for me new record and when I can focus on that I am pretty satisfied.
Question: How would you contrast
Solo Guitar against your Five Songs EP?
Well, Solo Guitar is just instrumental guitar so that’d be the obvious difference. I put it out to showcase the guitar music I’ve written (and one piece by Bruce Cockburn) I play all the songs in my sets pretty often. “Dervish” especially gets a great response. People aren’t used to seeing a singer/songwriter play instrumental guitar music in the middle of a set of songs.
Question: I’ve heard this show will be rife with special guests…can you leak any names?
Well the big special guests are
The Alternate Routes. They’re one of my favorite bands. I’ve been recording at their studio out in Gainesville, VA and their bass player Chip Johnson is co-producing my next album. I’ve also been writing with their singer Tim Warren. Chip is playing bass for my set and they’ll be joining me on some songs too. Also, for the band we’ve got
Todd Wright (Pat McGee Band, Lucy Woodward, Better than Ezra), Ryan Smyth (Holler Wild Rose), Jess Bennett (Parliament Hill) and Bryan Dawley.
Question: From the 100 songs you wrote for your next full length album, how do/did you narrow those songs down to about 10?
We’re still working on it! A big part of the process for me is playing the songs live and if they work live and I don’t tire of playing them and am still moved by them then they are “keepers”.
Question: Who or what gave you the idea to make a publicly funded album? Did you anticipate this level of success?
I had seen other artists do it and was skeptical at first but then, after talking to them, decided to ask my fans to support me. Jill Sobule and Ellis Paul were influences on my approach and locally, Shane Hines and his manager were very helpful!
I really didn’t know what to expect but all the artists I spoke had extremely positive things to say so we came up some incentives and a budget and started getting the word out. The fans have been so amazing - people have been hosting house concerts, donating here and there and helping me spread the word. It’s been so encouraging to know that they are behind me in this way and every time I sit down to write, or hit the road or am in the studio I have them on my side supporting me in this way.
Question: As of (4/8/10) you had roughly $18,800 donated for
your future album; your goal is $35,000- How long do you project it will take you to reach that point? How did you come up with the figure of $35,000?
We’re going to put a deadline on it soon and make one final push to reach our goal. The figure of $35,000 includes a modest recording and promotion budget for a full length record. I came up with that budget with Steve Bursky, manager of Owl City, Stephen Kellogg and the Sixers, Dispatch, etc over coffee in NYC last summer.
Question: Your blog
what-exit.com exposes us to the foodie side of your persona. What do you think of Wolf Trap’s flatbread paninis?
Good question! I will have to try one this Thursday. But yes the food blog is fun. Besides playing it’s something I enjoy about being on the road. I love discovering interesting regional food especially. Joe Kwon from The Avett Brothers does this as well. I have some ideas about taking this concept further and I’m excited about it!
Question: Your
website reveals the option for fans to book a
Living Room show. Are these pretty popular, and how generous are people with their cash? Given your rep as a foodie, I bet you’re not seeing a lot store bought vegetable plates and cold cuts at these shows.
Yes! The living room shows are the best. They are a great night for everyone. We’ve done maybe a dozen in the last 6 months - they are all different and really reflect the personality of the host which is part of what makes them so cool!
Question: You’re very open and candid with your fans. They can contact you whenever and it looks like you encourage that. Some artists don’t like that. Has this method helped you cultivate a more loyal fan base?
I think so. I try to be pretty open and available to people. I hate pretension. I think one can be confident and serious but still have real gratitude and humility. I look at what I admire in other people and try and have those qualities I guess.
Question: Your “pay what you can” model for CDs at shows is pretty progressive. I like it…but it puts a lot of pressure on you to perform a high quality show…not that you don’t strive to do this already. Can you speak a bit more to this model of CD sales?
Well it was suggested by Derek Sivers, founder of
CDBaby. I’ve been doing it at almost every show for 6 months. I sell a lot of CDs when I play for a new audience and this an even more effective way to get the music into people hands. Ideally everyone goes home with music - and I don’t want money to come between that happening - so I suggest people pay what they want. Some pay less, some pay more but in the end it’s good for everybody.